Film Review

Three Palestinian women living in Tel Aviv forge bonds of feminist resistance in a debut feature by Maysaloun Hamoud

In ‘Film Stars Don’t Die in Liverpool,’ Annette Bening plays screen siren Gloria Grahame in her waning days when, terminally ill, she reconnects with a much younger former lover.

A German woman sets out to avenge the racially motivated murder of her husband and son in Hamburg.

Ridley Scott’s film stars Christopher Plummer as the billionaire J. Paul Getty, asked to pay a ransom for his kidnapped grandson.

Aaron Sorkin’s directorial debut takes a seat at the high-stakes poker table.

Alexander Payne’s comedy scales up a scheme to save the planet and get rich in the process.

Steven Spielberg’s feature tells a classic story of American journalism—the coming of age of the Washington Post—while Meryl Streep finds unforced beauty in her portrayal of the paper’s publisher, Katharine Graham.

The space saga’s latest episode examines old loyalties with surprising results.

The enchanted board game of the 1995 film gets a digital twist in this surprisingly pleasant followup.

Margot Robbie stars as volatile Tonya Harding, the U.S. figure skating champion and two-time Olympian who never became America’s sweetheart.

A decadelong project documents the highs and lows of a North Philadelphia family.

Guillermo del Toro’s dazzling dive into the fantastic

In Pixar’s latest, a Mexican boy searches the Land of the Dead for family secrets and his musical muse.

The latest from the DC Cinematic Universe trafficks in convincing depression and ersatz elation.

Denzel Washington stars as a lawyer from another era in Dan Gilroy’s florid crime drama.

Martin McDonagh’s third feature puts the soul of an Ozarks town on display.

Kenneth Branagh’s version of the Agatha Christie classic is more punishment than crime.

Richard Linklater has created a sequel of sorts to “The Last Detail.”

Greta Gerwig’s debut as a writer-director follows a young woman through the fervent events of her senior year at a Catholic high school.

A charismatic curator of a Swedish modern art museum is at the center of a world both abstract and explosively concrete.

A young woman enters the convent at a time of major doctrinal changes in Maggie Betts’s debut feature.

Very bad neighbors populate a black comedy based on a Coen brothers script.