Review
“A masterly account . . . Kotkin offers the sweeping context so often missing from all but the best biographies . . . Stalin is a complex work... but it presents a riveting tale, one written with pace and aplomb. Kotkin has given us a textured, gripping examination of the foundational years of the man most responsible for the construction of the Soviet state in all its brutal glory. . . . This first volume leaves the reader longing for the story still to come.” —Jennifer Siegel, The New York Times Book Review
“This is a very serious biography that . . . is likely to well stand the test of time.” —Richard Pipes, The New York Review of Books
“Superb . . . Mr. Kotkin’s volume joins an impressive shelf of books on Stalin. Only Mr. Kotkin’s book approaches the highest standard of scholarly rigor and general-interest readability.” —Wall Street Journal
“[Kotkin’s] viewpoint is godlike: all the world falls within his purview. He makes comparisons across decades and continents. . . . An exhilarating ride.” —New Statesman (UK)
“Staggeringly researched, exhaustively thorough... Kotkin has no patience for the idea that Stalin . . . was a madman or a monster. His personality and crimes, Kotkin thinks, are only explicable in the wider contexts of Russian imperial history and Marxist theory. So this is less a conventional biography than a colossal life and times. . . . Hugely impressive.” —The Sunday Times (London)
“Unlike a number of Stalin studies, this is not an etiology of evil. The author does not appear to be watching his subject narrowly for early signs of the monstrous deformations that will later emerge. He tries to look at him at various stages of his career without the benefit of too much hindsight. . . . [Kotkin] is an engaging interlocutor with a sharp, irreverent wit . . . making the book a good read as well as an original and largely convincing interpretation of Stalin that should provoke lively arguments in the field.” —Sheila Fitzpatrick, The Guardian
“An exceptionally ambitious biography . . . Kotkin builds the case for quite a different interpretation of Stalin—and for quite a few other things, too. The book’s signature achievement . . . is its vast scope: Kotkin has set out to write not only the definitive life of Stalin but also the definitive history of the collapse of the Russian empire and the creation of the new Soviet empire in its place.” —Anne Applebaum, The Atlantic
“A brilliant portrait of a man of contradictions . . . In the vast literature on the Soviet Union, there is no study to rival Stephen Kotkin’s massive first instalment of a planned three-volume biography of Joseph Stalin. When it is complete, it will surely become the standard work, and I heartily recommend it.” —Robert Gellately, Times Higher Education (London)
"It is a measure of Kotkin’s powers of research and explanation that Stalin’s decisions can almost always be understood within the framework of his ideology and the context of his times. . . . With a ferocious determination worthy of his subject, the author debunks many of the myths to have encrusted themselves around Stalin. . . . [A] magnificent biography. This reviewer, at least, is already impatient to read the next two volumes for their author’s mastery of detail and the swagger of his judgments.” —John Thornhill, Financial Times
“Required reading for serious Russia-watchers . . . As the product of years of work and careful thought, it is for me a reminder of what it takes to get close to the truth about important and controversial subjects. And the distance and time required to do so.” —David Johnson, Johnson’s Russia List
“Monumental . . . For Kotkin it was not Stalin’s personality that drove his politics but his politics that shaped his personality. His research, narrative and arguments are as convincing as they are exhaustive. The book is long but very readable and highly accessible to the general reader. . . . Magisterial.” —Geoffrey Roberts, Irish Examiner
"Masterful . . . No other work on Stalin incorporates so well the preliminary information needed by the general reader, yet challenges so thoroughly the specialist's preconceptions. Kotkin has chosen illustrations, many of them little known, which reveal the crippled psyches of his dramatis personae.” —Donald Rayfield, Literary Review
“An ambitious, massive, highly detailed work that offers fresh perspectives on the collapse of the czarist regime, the rise of the Bolsheviks, and the seemingly unlikely rise of Stalin to total power over much of the Eurasian land mass. . . . This is an outstanding beginning to what promises to be a definitive work on the Stalin era.” —Booklist (starred review)
“Authoritative and rigorous. . . . Staggeringly wide in scope, this work meticulously examines the structural forces that brought down one autocratic regime and put in place another.” —Kirkus (starred review)
“This is an epic, thoroughly researched account that presents a broad vision of Stalin, from his birth to his rise to absolute power.” —Publishers Weekly
“Kotkin has been researching his magisterial biography of Stalin for a decade. Inescapably important reading.” —Library Journal
“In its size, sweep, sensitivity, and surprises, Stephen Kotkin’s first volume on Stalin is a monumental achievement: the early life of a man we thought we knew, set against the world—no less—that he inhabited. It’s biography on an epic scale. Only Tolstoy might have matched it.” —John Lewis Gaddis, Yale University; author of George F. Kennan: A Life, winner of the 2012 Pulitzer Prize for Biography
“Stalin has had more than his fair share of biographies. But Stephen Kotkin’s wonderfully broad-gauged work surpasses them all in both breadth and depth, showing brilliantly how the man, the time, the place, its history, and especially Russian/Soviet political culture, combined to produce one of history’s greatest evil geniuses.” —William Taubman, Professor of Political Science Emeritus, Amherst College; author of Khrushchev: The Man and his Era, winner of the 2004 Pulitzer Prize for Biography
“Stephen Kotkin’s first volume on Stalin is ambitious in conception and masterly in execution. It provides a brilliant account of Stalin’s formation as a political actor up to his fateful decision to collectivize agriculture by force. Kotkin combines biography with historical analysis in a way that brings out clearly Stalin's great political talents as well as the ruthlessness with which he applied them and the impact his policies had on Russia and the world. This is a magisterial work on the grandest scale.” —David Halloway, Raymond A. Spruance Professor of International History, Stanford University; author of Stalin and the Bomb
“More than any of Stalin’s previous biographers, Stephen Kotkin humanizes one of the great monsters of history, thereby making the monstrosity more comprehensible than it has been before. He does so by sticking to the facts—many of them fresh, all of them marshalled into a gripping, fine-grained story.” —Strobe Talbott, president of the Brookings Institution
About the Author
Stephen Kotkinis the John P. Birkelund Professor in History and International Affairs at Princeton University, where he has taught since 1989. He is also a research fellow at the Hoover Institution at Stanford University. He directs Princeton’s Russian, East European, and Eurasian Studies program and is the author of several books, including Uncivil Society, Armageddon Averted, and Magnetic Mountain.
Excerpt. © Reprinted by permission. All rights reserved.
RUSSIA’S DOUBLE-HEADED EAGLE NESTED across a greater expanse than that of any other state, before or since. The realm came to encompass not just the palaces of St. Petersburg and the golden domes of Moscow, but Polish and Yiddish-speaking Wilno and Warsaw, the German-founded Baltic ports of Riga and Reval, the Persian and Turkic-language oases of Bukhara and Samarkand (site of Tamerlane’s tomb), and the Ainu people of Sakhalin Island near the Pacific Ocean. “Russia” encompassed the cataracts and Cossack settlements of wildly fertile Ukraine and the swamps and trappers of Siberia. It acquired borders on the Arctic and Danube, the Mongolian plateau, and Germany. The Caucasus barrier, too, was breached and folded in, bringing Russia onto the Black and Caspian seas, and giving it borders with Iran and the Ottoman empire. Imperial Russia came to resemble a religious kaleidoscope with a plenitude of Orthodox churches, mosques, synagogues, Old Believer prayer houses, Catholic cathedrals, Armenian Apostolic churches, Buddhist temples, and shaman totems. The empire’s vast territory served as a merchant’s paradise, epitomized by the slave markets on the steppes and, later, the crossroad fairs in the Volga valley. Whereas the Ottoman empire stretched over parts of three continents (Europe, Asia, and Africa), some observers in the early twentieth century imagined that the two-continent Russian imperium was neither Europe nor Asia but a third entity unto itself: Eurasia. Be that as it may, what the Venetian ambassador to the Sublime Porte (Agosto Nani) had once said of the Ottoman realm—“more a world than a state”—applied no less to Russia. Upon that world, Stalin’s rule would visit immense upheaval, hope, and grief.
Stalin’s origins, in the Caucasus market and artisan town of Gori, were exceedingly modest—his father was a cobbler, his mother, a washerwoman and seamstress—but in 1894 he entered an Eastern Orthodox theological seminary in Tiflis, the grandest city of the Caucasus, where he studied to become a priest. If in that same year a subject of the Russian empire had fallen asleep and awoken thirty years later, he or she would have been confronted by multiple shocks. By 1924 something called a telephone enabled near instantaneous communication over vast distances. Vehicles moved without horses. Humans flew in the sky. X-rays could see inside people. A new physics had dreamed up invisible electrons inside atoms, as well as the atom’s disintegration in radioactivity, and one theory stipulated that space and time were interrelated and curved. Women, some of whom were scientists, flaunted newfangled haircuts and clothes, called fashions. Novels read like streams of dreamlike consciousness, and many celebrated paintings depicted only shapes and colors. As a result of what was called the Great War (1914–18), the almighty German kaiser had been deposed and Russia’s two big neighboring nemeses, the Ottoman and Austro-Hungarian empires, had disappeared. Russia itself was mostly intact, but it was ruled by a person of notably humble origins who also hailed from the imperial borderlands. To our imaginary thirty-year Rip Van Winkle in 1924, this circumstance—a plebeian and a Georgian having assumed the mantle of the tsars—could well have been the greatest shock of all.
