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Prick-song - Etymology, Origin & Meaning
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Origin and history of prick-song

prick-song(n.)

mid-15c., "music sung from written notes" instead of from memory or by ear, from song (n.) + prick (n.) in a Middle English sense of "mark indicating pitch" in music; from the Old English sense of prick as "dot or small mark made in writing." Compare counterpoint (n.2)).

Nares' "Glossary" defines prick-song as "Music written down, sometimes more particularly music in parts .... When opposed to plain-song, it meant counter-point, as distinguished from mere melody."

The "Collection of Ancient English Airs" [ed. W. Chappell, 1840] defines it as "Harmony written or pricked down in opposition to plain-song, where the descant rested with the will of the singer." Among the old poets, prick-song was used of the nightingale's song, it being full of rich beauty and regular music. They also speak of the cuckoo's plain-song.

Entries linking to prick-song

mid-15c., "art of singing an accompaniment to plain song," from Old French contrepoint, from Medieval Latin cantus contrapunctus, from contrapunctum, from Latin contra "against" (see contra (prep., adv.)) + puncta (see point (n.)). It is a reference to the indication of musical notes by "pricking" with a pointed pen over or under the original melody on a manuscript. Meaning "one or more melodies added, according to fixed rules, to a given melody or theme" is from 1520s.

Middle English prikke, "pointed object, something that punctures or stabs; sting of an insect; a goad; a pin or fastener; a pricking as a bodily pain or torment," from Old English prica (n.) "sharp point, puncture; minute mark made by sticking or piercing; particle, very small portion of space or time." It is a common word around the North Sea Germanic tongues (compare Low German prik "point," Middle Dutch prick, Dutch prik, Swedish prick "point, dot") of unknown etymology (compare prick (v.)).

The figurative sense of "a goad" (to the affections, the conscience, etc.) was in Middle English. The meaning "pointed weapon, dagger" is attested from 1550s.

Prick had entwined extended senses in Middle English and early modern English, such as "a point marking a stage in progression," especially in the prick "the highest point, apex, acme;" and from the notion of "a point in time," especially "the moment of death" (prike of deth).

The use in kick against the pricks (Acts ix.5, first in the translation of 1382) probably is from sense of "a goad for oxen" (mid-14c.), which made it a plausible translation of Latin stimulus: advorsum stimulum calces was proverbial in Latin, and the English phrase also was used literally. The notion in the image is "to balk, be recalcitrant, resist superior force."

The noun also was used in the 1384 Wycliffe Bible in 2 Corinthians xii.7, where the Latin is stimulis carnis meæ:

And lest the greetnesse of reuelaciouns enhaunce me in pride, the pricke of my fleisch, an aungel of Sathanas, is ʒouun to me, the which boffatith me.

The earliest recorded slang use for "penis" is 1590s (Shakespeare puns upon it). The verb prick was used in a figurative sense "have sexual intercourse with" (a woman) in Chaucer (late 14c.). My prick was used 16c.-17c. as a term of endearment by "immodest maids" for their boyfriends. As a term of abuse to a man, it is attested by 1929. Prick-teaser is attested from 1958. 

"musical or rhythmic vocal utterance," Old English sang "voice, vocal music, song, art of singing; metrical composition adapted for singing, psalm, poem," from Proto-Germanic *songwho- (source also of Old Norse söngr, Norwegian song, Swedish sång, Old Saxon, Danish, Old Frisian, Old High German, German sang, Middle Dutch sanc, Dutch zang, Gothic saggws), from PIE *songwh-o- "singing, song," from *sengwh- "to sing, make an incantation" (see sing (v.)).

Of the musical call of some birds from late Old English. In literature often loosely, "poem focusing on arousal of emotions" of the sort traditionally sung to the lyre. Middle English had songly "worthy of song" (mid-14c.).

The colloquial phrase for a song "for a trifle, for little or nothing" is from "All's Well" III.ii.9 (the identical image, por du son, is in Old French). With a song in (one's) heart "feeling joy" is attested by 1859. Song and dance as a form of stage act is attested from 1872; the figurative sense of "rigmarole" is by 1895.

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