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Browse through selected images taken from Muslim Heritage articles related to Arts...
Some previous works of artist Ashfia Ashrif
Turkish Motif examples, attendees imitating patterns of their choosing and applying gold leaf to their motifs
Artist Ashfia Ashrif demonstrating how to get rid off excess gold leaf and course attendee choosing her colour scheme
Attendees working on their motifs
An attendee painting his motif
One of the attendees finished motifs
Attendees work
Detail of a floral decoration in the Dome of the Rock Mosque.
Illustration of a tree in a landscape decoration in the Umayyad Mosque in Damascus.
Floral Arabesque covering the interior of the dome of Masjid-i Shah Mosque, Isfahan
Kufic Lettering (from Al-Jiburi, 1974).
Kufic calligraphy combined with floral and geometrical decoration with intersecting horseshoe arches. Plate on Cordoba Mosque façade.
Transcript of Naskhi calligraphy by Mahmud Yazre.
Tiles in the Alhambra Palace showing geometrical Decorations and Naskhi Calligraphy, Granada, Spain.
View of Al-Azhar mosque courtyard in Cairo.
Decorative arcade in Aljaferia showing elements that later inspired the Baroque style.
Northern entrance of the Ulu Cami Hospital (13th century) showing a close up view of “Baroque” features.
the southern Muqarnas, occupying a frontal position facing the courtyard, has an apex made up of 8 segments, suggesting a primitive strength
the western Muqarnas has a 5-segment apex, and displays an elegant form such as that seen in Hakuho sculptures
the eastern Muqarnas, with its 11-segmented apex, is complex and not aesthetically pleasing.
Vault fragment with black-dotted polygonal grid lines, triangular one-twentieth repeat unit of a decagonal vault, and fan-shaped radial Muqarnas quarter vault
Fan-shaped radial muqarnas quarter vault, rhombodial one-eight repeat unit of an octagonal fan-shaped radial muqarnas quarter vault, fan-shaped radial muqarnas quarter vault, and rectangular repeat unit of stellate Muqarnas fragment
An Abru (marbling) sample from Dr. Mehmet Kileci.
Another Abru (marbling) sample from Dr. Mehmet Kileci
A calligraphy sample. (Source: The Art of Calligraphy in the Islamic Heritage, Istanbul: IRCICA, 1998).
Another calligraphy sample. (Source: The Art of Calligraphy in the Islamic Heritage, Istanbul: IRCICA, 1998).
“Ya Ali” panel written with jal’i sulus and nesta’lik reciprocal style by Mehmed Aziz Efendi (Source: Muhittin Serin, Hat Sanati ve Meshur Hattatlar, Istanbul 2003
A hilye written by Hasan Rizâ Efendi in sulus-nesih calligraphy (Topkapi Palace Museum Library, Hirka-i Saadet, nr. 21/237).
A large, perfectly written hilye written by Kadiasker Mustafa Izzet Efendi. The marginal decoration was done in a Westernised fashion, (private collection).
A picture of a layered rose by Abdullah Buharî, dated 1733 (Library of the Topkapi Palace Museum).
A large size mushaf written by Ahmed Karahisarî, displaying the aklâm-i sitte. On each page, four rectangular panels (koltuk) show examples of high-quality illumination as executed in the reign of Sultan Süleyman I, (Library of the Topkapi Palace Museum).
The Alhambra Vase
The Jugs of Alhambra
A sample of Hatip Ebru made by M. R. Kileci. All ebru samples illustrating this article were created by Dr Mehmed Refi Kileci and published here by his permission. Visit: www.kileci.net
A sample of cicekli ebru made by M. R. Kileci.
Another sample of cicekli Ebru made by M. R. Kileci.
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