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E-flat major

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E-flat major
{ \magnifyStaff #3/2 \omit Score.TimeSignature \key es \major s16 \clef F \key es \major s^"" }
Relative keyC minor
Parallel keyE-flat minor
Dominant keyB-flat major
Subdominant keyA-flat major
Component pitches
E♭, F, G, A♭, B♭, C, D

E-flat major is a major scale based on E♭, consisting of the pitches E♭, F, G, A♭, B♭, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E♭ minor, (or enharmonically D♯ minor).

The E♭ major scale is:

\header { tagline = ##f } scale = \relative b { \key es \major \omit Score.TimeSignature es^"E♭ major scale" f g as bes c d es d c bes as g f es2} \score { { << \cadenzaOn \scale \context NoteNames \scale >> } \layout { } \midi { } }

Scale degree chords

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The scale degree triads of E♭ major are:

Characteristics

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The key of E♭ major is often associated with bold, heroic music, in part because of Ludwig van Beethoven's usage. His Eroica Symphony, Emperor Concerto and Grand Sonata are all in this key. Beethoven's (hypothetical) 10th Symphony is also in E♭. But even before Beethoven, Francesco Galeazzi identified E♭ major as "a heroic key, extremely majestic, grave and serious: in all these features it is superior to that of C."[1]

Three of Wolfgang Amadeus Mozart's completed Horn Concertos and Joseph Haydn's Trumpet Concerto are in E♭ major and so is Anton Bruckner's Fourth Symphony with its prominent horn theme in the first movement. Another notable heroic piece in the key of E♭ major is Richard Strauss's A Hero's Life. The heroic theme from the Jupiter movement of Gustav Holst's The Planets is in E♭ major. Mahler's vast and heroic Eighth Symphony is in E♭ and his Second Symphony also ends in this key.

However, in the Classical period, E♭ major was not limited to solely bombastic brass music. "E-flat was the key Haydn chose most often for [string] quartets, ten times in all, and in every other case he wrote the slow movement in the dominant, B-flat major."[2] Or "when composing church music and operatic music in E♭ major, [Joseph] Haydn often substituted cors anglais for oboes in this period", and also in Symphony No. 22.[3]

E♭ major was the second-flattest key Mozart used in his music. For him, E♭ major was associated with Freemasonry; "E-flat evoked stateliness and an almost religious character."[4]

Edward Elgar wrote his Variation IX "Nimrod" from the Enigma Variations in E♭ major. Its strong, yet vulnerable character has led the piece to become a staple at funerals, especially in Great Britain.

Shostakovich used the E♭ major scale to sarcastically evoke military glory in his Symphony No. 9.[5]

Well-known compositions in this key

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See also: List of symphonies in E-flat major

Notes

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  1. ^ Francesco Galeazzi, Elementi teorico-practici di musica (1796) as translated to English in Rita Steblin, A History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries. University of Rochester Press (1996): 111
  2. ^ Paul Griffiths, The String Quartet. New York: Thames & Hudson (1983): 29
  3. ^ David Wyn Jones, "The Symphonies of Haydn" in A Guide to the Symphony, ed. Robert Layton. Oxford: Oxford University Press
  4. ^ Robert Harris, What to Listen for in Mozart. Simon & Schuster (2002): 174
  5. ^ Fay, Laurel (1999). Shostakovich: A Life. Oxford University Press. ISBN 0-19-513438-9.
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  • Media related to E-flat major at Wikimedia Commons
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