Paul Dehn
Paul Dehn | |
---|---|
Born | Paul Edward Dehn 5 November 1912 Manchester, England |
Died | 30 September 1976 London, England | (aged 63)
Alma mater | Brasenose College, Oxford |
Years active | 1950–1974 |
Partner | James Bernard |
Relatives |
|
Military career | |
Allegiance | ![]() |
Branch | ![]() |
Years of service | 1939–1945 |
Unit | Special Operations Executive |
Battles / wars | World War II |
Paul Edward Dehn (/ˈdeɪn/ DAYN; 5 November 1912 – 30 September 1976) was a British screenwriter, playwright, critic, and World War II intelligence officer.
He was known for writing the screenplays to Goldfinger (1964), the John le Carré adaptations The Spy Who Came in from the Cold (1965) and The Deadly Affair (1967), the Planet of the Apes films (1970-74), and the Sidney Lumet-directed adaptation of Murder on the Orient Express (1974).
He won an Academy Award for Best Story for Seven Days to Noon (1950), and the BAFTA Award for Best Original Screenplay for Orders to Kill (1958).
Early life
[edit]Dehn was born in 1912 in Manchester, to Jewish parents of German descent.[1] He had a younger sister, author Olive Dehn. He was educated at Shrewsbury School, and attended Brasenose College, Oxford.[2] While at Oxford, he contributed film reviews to weekly undergraduate papers.
He began his writing career in 1936 as a film reviewer for several London newspapers. He was lead film critic for the News Chronicle until its closure in 1960 and then for the Daily Herald until 1963.[3]
World War II
[edit]During World War II, he was stationed at Camp X in Ontario, Canada. This was one of several training facilities operated by the British Special Operations Executive to train spies and special forces teams. He was the Political Warfare officer from 1942 to 1944 and held the rank of Major. Dehn took part in missions in France and Norway,[4] and was for a time partnered with Kim Philby.[5] According to John le Carré, Dehn was involved in assassination operations.[1]
Writing career
[edit]In 1949, Dehn began a collaboration with composer James Bernard. Dehn asked Bernard to collaborate with him on the original story for the Boulting Brothers film Seven Days to Noon (1950).
He narrated the 1951 documentary Waters of Time and later wrote plays, operettas and musicals for the stage. He wrote the lyrics for songs in two films, Moulin Rouge (1952) and The Innocents (1961).
Through the 1960s, Dehn concentrated on screenwriting for spy films, including Goldfinger (1964), The Spy Who Came in from the Cold (1965), and The Deadly Affair (1967). He was recommended to the latter two projects by source material author John le Carré himself, who said Dehn knew far more about espionage world than himself.[1] Le Carré said that Dehn "[he had] a pretty startling experience of the spook world, but he was a very gentle guy, lovely to work with."[1]
He later wrote the screenplays for the second, third, and fourth original Planet of the Apes movies and received the story-by credit on the fifth. He wrote the libretto for William Walton's opera The Bear and two by Lennox Berkeley; A Dinner Engagement and Castaway.
His last screenplay was for Sidney Lumet's all-star Murder on the Orient Express (1974), based on the Agatha Christie whodunit, for which he was nominated for an Academy Award for Best Adapted Screenplay.
Dehn resurrected or reinvented at least three genres given up for dead at the time; the British mystery, the Shakespeare adaptation, and the spy film.[6]
Personal life
[edit]Dehn was gay, and in a long-term relationship with his oft-collaborator James Bernard.[1]
Through his sister Olive, Dehn was uncle to actresses Kika and Petra Markham, makeup artist Sonia Markham, and poet Jehane Markham.
Death
[edit]Suffering from lung cancer for the final years of his life, Dehn died on September 30, 1978 in Chelsea.[1]
Filmography
[edit]Year | Title | Director | Notes |
---|---|---|---|
1950 | Seven Days to Noon | John Boulting | Co-wrote story w/James Bernard |
1952 | Moulin Rouge | John Huston | Music lyricist |
1955 | I Am a Camera | Henry Cornelius | |
1956 | On Such a Night | Anthony Asquith | |
1958 | Orders to Kill | Co-writer w/George St. George | |
1964 | Goldfinger | Guy Hamilton | Co-writer w/Richard Maibaum |
1965 | The Spy Who Came in from the Cold | Martin Ritt | Co-writer w/Guy Trosper |
1967 | The Deadly Affair | Sidney Lumet | |
The Night of the Generals | Anatole Litvak | Co-writer w/Joseph Kessel and Gore Vidal | |
The Taming of the Shrew | Franco Zeffirelli | Co-writer w/Zeffirelli and Suso Cecchi d'Amico | |
1970 | Fragment of Fear | Richard C. Sarafian | |
Beneath the Planet of the Apes | Ted Post | ||
1971 | Escape from the Planet of the Apes | Don Taylor | |
1972 | Conquest of the Planet of the Apes | J. Lee Thompson | |
1973 | Battle for the Planet of the Apes | Wrote story | |
1974 | Murder on the Orient Express | Sidney Lumet |
Documentary works
[edit]Year | Title | Director | Notes |
---|---|---|---|
1951 | Waters of Time | Basil Wright | Narrator, co-writer w/Wright & Bill Launder |
1960 | A Place for Gold | Basil Wright |
Awards and nominations
[edit]Award | Year | Category | Nominated work | Result |
---|---|---|---|---|
Academy Award | 1952 | Best Story[7] | Seven Days to Noon | Won |
1975 | Best Adapted Screenplay[8] | Murder on the Orient Express | Nominated | |
BAFTA Award | 1959 | Best Original Screenplay | Orders to Kill | Won |
1968 | Best Adapted Screenplay | The Deadly Affair | Nominated | |
Edgar Award | 1965 | Best Foreign Film | Goldfinger | Nominated |
1966 | Best Motion Picture Screenplay | The Spy Who Came in from the Cold | Won | |
1977 | Murder on the Orient Express | Nominated | ||
Writers Guild of America | 1966 | Best Adapted Screenplay | The Spy Who Came in from the Cold | Nominated |
Writers' Guild of Great Britain | 1975 | Best British Screenplay | Murder on the Orient Express | Won |
References
[edit]- ^ a b c d e f "Paul's Dehn's life in music, poetry, films and wartime spying". www.lennoxberkeley.org.uk. Retrieved 21 September 2025.
- ^ Clifford Dyment, Roy Fuller and Montagu Slater (editors), New Poems 1952 (1952), p. 161.
- ^ advert placed by the Daily Herald in the Coventry Evening Telegraph, 31 October 1960
- ^ Harrison, David; Davidharrison (17 April 2010). "The secret war mission that inspired Goldfinger scene". The Telegraph. Retrieved 21 September 2025.
- ^ "An Evening Celebrating the Life of Paul Dehn – Screenwriter, Poet and Spy » The Cinema Museum, London". The Cinema Museum, London. Retrieved 21 September 2025.
- ^ Kipen, David (2013). "Tinker Tailor Soldier Schreiber: The Unsung Achievement of Screenwriter Paul Dehn". Virginia Quarterly Review. 89 (1): 224–231. JSTOR 26446667.
- ^ "WRITING (MOTION PICTURE STORY)". THE 24TH ACADEMY AWARDS – 1952. The Academy of Motion Picture Arts and Sciences. 20 March 1952. Retrieved 21 October 2014.
- ^ "The 47th Academy Awards | 1975". www.oscars.org. 6 October 2014. Retrieved 21 September 2025.
External links
[edit]- Paul Dehn at IMDb
- The Oscar Site
- The New York Times Movies
- Archival Material at Leeds University Library
- 1912 births
- 1976 deaths
- 20th-century English male writers
- 20th-century English screenwriters
- 20th-century English dramatists and playwrights
- 20th-century English LGBTQ people
- Alumni of Brasenose College, Oxford
- Best British Screenplay BAFTA Award winners
- Best Story Academy Award winners
- British gay writers
- British Special Operations Executive personnel
- Edgar Award winners
- English male screenwriters
- English opera librettists
- English male dramatists and playwrights
- English Jews
- English people of German-Jewish descent
- LGBTQ people from Manchester
- People educated at Shrewsbury School
- Writers from Manchester