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Ibrahim Mahama, Labour of Many, 2019, hessian sacks. Installation view, Norval Foundation, Cape Town. Photo: Dave Southwood.
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Telepathy Curating
Around Vienna’s Curated By festival
A circular stage is surrounded by an audience seated in a dimly lit room with purple lighting. Two performers stand in the center, creating an intimate and artistic atmosphere. Arched walls and stained glass windows enhance the setting's grandeur.
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Barnett Cohen
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Poetic Justice
On Okwui Enwezor: Selected Writings
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Open Mic
On the art of Open Group
Ibrahim Mahama, Beasts of no nation (detail), 2013–22, wood panel wrapped in wax-print cloth and jute thread, 74 × 48″.
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Catherine Opie in Artforum's studio.
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On discovering photography, Lewis Hine, Larry Sultan, soap operas and more
Alex Lesy in Artforum's studio with the September 2025 print issue.
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Artforum Redesign
Design Director Alex Lesy revisits our print archive to discuss the changes to the design of the print edition
Robert Longo in Artforum's studio.
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Robert Longo
On the things and people that have shaped his career, from Douglas Crimp to Cindy Sherman and Jannis Kounellis
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Lo Zoo, L’uomo ammaestrato (The Trained Man), 1968. Performance view, Amalfi, Italy, October 4–6, 1968. Left: Henry Martin.
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Yoshino Cedar House, Nara, Japan, 2016.
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Making Space
On space Un and artistic exchanges between Japan and Africa
From the archive
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May 2024
“A Woman’s Work Is Never Done”
On October 9, “Vaginal Davis: Magnificent Product” makes its US debut at MoMA PS1. Highlighting the artist’s work in video, music, performance, publishing, painting, sculpture, photography, collage, and installation, the exhibition provides an overview of Davis’s decades-long career. Last May, in advance of the show’s premiere at Stockholm’s Moderna Museet, Davis reflected on art, sex, and ambition in a conversation with her longtime friend, designer Rick Owens. This week, in celebration of the exhibition’s arrival stateside, Artforum revisits that interview, “A Woman’s Work Is Never Done,” published in the magazine’s May 2024 issue.
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ARTFORUM DOSSIER: CELLULOID 
“In this Artforum Dossier, we have gathered texts that focus on artistic practices that reflexively engage with the specific materiality of celluloid—the transparent plastic that served as the most common substrate for moving images before the advent of analog and digital video. These practices typically focus less on storytelling than on the aesthetic possibilities of directly manipulating celluloid film stock, creating sequences of celluloid film frames, or running celluloid film strips through projectors. The results usually emphasize our perceptual experience of light, color, sound, pattern, movement, and space—that is, those elements that provide the language of all moving-image experiences.”
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