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Edgar Allan Poe - Poems by the Famous Poet - All Poetry

Famous poet /1809-1849  •  Ranked #16 in the top 500 poets

Edgar Allan Poe

Edgar Allan Poe, an American writer, editor, and literary critic, continues to captivate readers with his dark and macabre tales. His work, often classified as Dark Romanticism, explores themes of death, loss, and the human psyche. Poe's influence on literature is undeniable, his innovative approach to storytelling paving the way for genres like detective fiction and horror.

Poe's poetry is characterized by its musicality and haunting imagery. He employed sound devices like alliteration and internal rhyme to create a hypnotic effect, drawing readers into his eerie and often melancholy worlds. His exploration of the darker aspects of human nature and his focus on psychological torment distinguish his work from contemporaries like Nathaniel Hawthorne and Henry Wadsworth Longfellow, whose writing leaned toward more traditional Romantic themes.

Instead, Poe's work shared similarities with that of Lordbyron, a British Romantic poet known for his exploration of intense emotions and melancholic themes. Poe's emphasis on the grotesque and the exploration of the human subconscious also prefigure elements of the later Symbolist movement in Europe. His pioneering work in these areas has cemented his place as a cornerstone of American literature and a significant influence on writers across various genres.

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Alone

From childhood's hour I have not been
As others were; I have not seen
As others saw; I could not bring
My passions from a common spring.
From the same source I have not taken
My sorrow; I could not awaken
My heart to joy at the same tone;
And all I loved, I loved alone.
Then- in my childhood, in the dawn
Of a most stormy life- was drawn
From every depth of good and ill
The mystery which binds me still:
From the torrent, or the fountain,
From the red cliff of the mountain,
From the sun that round me rolled
In its autumn tint of gold,
From the lightning in the sky
As it passed me flying by,
From the thunder and the storm,
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view.
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Analysis (ai): This poem explores the speaker's sense of isolation and difference from others. The speaker feels disconnected from the common experiences and emotions of humanity, and this sense of alienation has its roots in childhood. The poem's imagery is drawn from nature, and the speaker finds solace in the natural world, which provides a sense of mystery and awe. The poem is written in a meditative and introspective style, and it conveys the speaker's deep feelings of loneliness and longing. Compared to Poe's other works, this poem is less overtly macabre and more focused on the speaker's inner experience. It reflects the Romantic era's fascination with the individual self and the search for meaning in the natural world. (hide)
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543
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A Dream Within A Dream

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow-
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.

I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand-
How few! yet how they creep
Through my fingers to the deep,
While I weep- while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?
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Analysis (ai): This poem contemplates the ephemeral nature of life and dreams. The speaker questions the reality of his experiences, unsure if they are merely figments of his imagination. The poem's brevity and haunting imagery create a sense of loss and despair, amplified by the constant refrain, "Is all that we see or seem/But a dream within a dream?"

The poem's exploration of dreams and reality aligns with Poe's preoccupation with the macabre and the subconscious. It also reflects the Romantic era's fascination with the power of imagination and the fluidity of perception.

Compared to Poe's other works, this poem is relatively concise and direct, emphasizing the brevity and futility of human life. The use of the sea as a symbol of both beauty and destruction adds to the poem's emotional impact. (hide)
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591
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The Raven

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
"'Tis some visitor," I muttered, "tapping at my chamber door-
Only this, and nothing more."

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;- vainly I had sought to borrow
From my books surcease of sorrow- sorrow for the lost Lenore-
For the rare and radiant maiden whom the angels name Lenore-
Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me- filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
"'Tis some visitor entreating entrance at my chamber door-
Some late visitor entreating entrance at my chamber door;-
This it is, and nothing more."

Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"- here I opened wide the door;-
Darkness there, and nothing more.

Deep into that darkness peering, long I stood there wondering,
fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore!"
This I whispered, and an echo murmured back the word, "Lenore!"-
Merely this, and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore-
Let my heart be still a moment and this mystery explore;-
'Tis the wind and nothing more."

Open here I flung the shutter, when, with many a flirt and
flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed
he;
But, with mien of lord or lady, perched above my chamber door-
Perched upon a bust of Pallas just above my chamber door-
Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
"Though thy crest be shorn and shaven, thou," I said, "art sure no
craven,
Ghastly grim and ancient raven wandering from the Nightly shore-
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning- little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door-
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore."

But the raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered- not a feather then he fluttered-
Till I scarcely more than muttered, "other friends have flown
before-
On the morrow he will leave me, as my hopes have flown before."
Then the bird said, "Nevermore."

Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore-
Till the dirges of his Hope that melancholy burden bore
Of 'Never- nevermore'."

But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and
door;
Then upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore-
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
Meant in croaking "Nevermore."

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamplight gloated o'er,
But whose velvet violet lining with the lamplight gloating o'er,
She shall press, ah, nevermore!

Then methought the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose footfalls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee- by these angels he
hath sent thee
Respite- respite and nepenthe, from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!"
Quoth the Raven, "Nevermore."

"Prophet!" said I, "thing of evil!- prophet still, if bird or
devil!-
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted-
On this home by horror haunted- tell me truly, I implore-
Is there- is there balm in Gilead?- tell me- tell me, I implore!"
Quoth the Raven, "Nevermore."

"Prophet!" said I, "thing of evil- prophet still, if bird or
devil!
By that Heaven that bends above us- by that God we both adore-
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore-
Clasp a rare and radiant maiden whom the angels name Lenore."
Quoth the Raven, "Nevermore."

"Be that word our sign in parting, bird or fiend," I shrieked,
upstarting-
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!- quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my
door!"
Quoth the Raven, "Nevermore."

And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamplight o'er him streaming throws his shadow on the
floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted- nevermore!

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Analysis (ai): "The Raven" is a renowned poem renowned for its macabre setting, haunting imagery, and unforgettable repetition of "Nevermore." Unlike Poe's other works, which often explore the uncanny and the grotesque, this poem delves into the speaker's profound grief over the loss of his beloved Lenore.

The poem's evocative language, with its use of sensory imagery and internal rhyme, creates a chilling and unforgettable atmosphere. The speaker's journey from fear and uncertainty to despair is traced through his interactions with the enigmatic raven. Poe's skill in rhythm and meter creates a mesmerizing effect, enhancing the poem's emotional impact.

Compared to its contemporaries, "The Raven" stands out for its originality and its exploration of themes that resonated with the Victorian era. It mirrors the societal fascination with death, loss, and the supernatural that characterized the time. Poe's use of symbolism, particularly the raven as a representation of both memory and despair, adds depth and complexity to the narrative. (hide)
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