Famous poet /?-1985  •  Ranked #14 in the top 500 poets

Philip Larkin

Philip Larkin is considered one of the foremost English poets of the latter half of the 20th century. His work continues to resonate with readers today, offering a clear-eyed, often melancholic view of everyday life and the human condition. Larkin's poetry is characterized by its accessibility and directness. He shunned obscurity, aiming for clarity and precision in his language. His poems often deal with commonplace themes—love, loss, time's passage, the disappointments of life—but they do so with an unflinching honesty and a dark, wry humor that makes them both moving and thought-provoking.

Larkin's writing is rooted in the English Movement, a literary trend of the 1950s that favored a return to traditional forms and a rejection of the more experimental styles of modernism. T.S. Eliot, whom Larkin greatly admired, was a major influence on the Movement, as were W.B. Yeats, Thomas Hardy, and Edward Thomas. While Larkin shared the Movement's emphasis on formal clarity, he brought to his work a distinctive voice, marked by a mordant wit and a somber realism.

Larkin's influence can be seen in the work of many contemporary poets, who admire his directness, his honesty, and his ability to find poetry in the ordinary. He remains a compelling figure for readers today, both for his masterful command of language and for his unflinching exploration of the complexities of human experience.

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A Study Of Reading Habits

When getting my nose in a book
Cured most things short of school,
It was worth ruining my eyes
To know I could still keep cool,
And deal out the old right hook
To dirty dogs twice my size.

Later, with inch-thick specs,
Evil was just my lark:
Me and my cloak and fangs
Had ripping times in the dark.
The women I clubbed with sex!
I broke them up like meringues.

Don't read much now: the dude
Who lets the girl down before
The hero arrives, the chap
Who's yellow and keeps the store
Seem far too familiar. Get stewed:
Books are a load of crap.

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Analysis (ai): "A Study of Reading Habits" is a frank and cynical poem about the disillusionment of adulthood and the loss of youthful idealism. It begins with a nostalgic look back to the youthful habit of immersing oneself in books as a means of escape from the mundanity of school and the challenges of life. The speaker recalls how this habit provided solace and a sense of empowerment, allowing him to face adversity with confidence.

As the poem progresses, the speaker's perspective shifts from youthful enthusiasm to adult disillusionment. He reflects on how reading has become a less fulfilling and meaningful experience, with the characters and situations encountered in literature now seeming predictable and the act of reading itself feeling like a tired and empty pursuit.

The poem ends with a dismissive and almost nihilistic attitude towards books and reading, as the speaker declares that he has "had it" with the familiar and repetitive storylines and characters found in literature. He concludes by stating that he would rather "get stewed," suggesting a desire to escape into a state of intoxication as a means of coping with the disappointments of life.

In comparison to other works by Philip Larkin, this poem shares the author's characteristic themes of disillusionment, loneliness, and the passing of time. It also reflects the influence of the post-World War II era, with its sense of emptiness and loss of faith in traditional values and institutions. (hide)
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27

High Windows

When I see a couple of kids
And guess he's fucking her and she's
Taking pills or wearing a diaphragm,
I know this is paradise

Everyone old has dreamed of all their lives—
Bonds and gestures pushed to one side
Like an outdated combine harvester,
And everyone young going down the long slide

To happiness, endlessly. I wonder if
Anyone looked at me, forty years back,
And thought, That'll be the life;
No God any more, or sweating in the dark

About hell and that, or having to hide
What you think of the priest. He
And his lot will all go down the long slide
Like free bloody birds. And immediately

Rather than words comes the thought of high windows:
The sun-comprehending glass,
And beyond it, the deep blue air, that shows
Nothing, and is nowhere, and is endless.
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Analysis (ai): This poem depicts a cynical perspective on aging and the pursuit of happiness. The speaker observes young couples engaging in casual sex and interprets their actions as a sign of paradise. They contrast this with the beliefs and anxieties of their older counterparts, who have abandoned traditional values and now face the prospect of death.

The speaker's language is blunt and dismissive, reflecting their disillusionment. They describe sex with crude imagery, and dismiss religion and morality as outdated. However, the poem also contains moments of unexpected beauty and depth. The description of "high windows" suggests an escape from the limitations of human existence and a glimpse of something transcendent.

Compared to Larkin's other works, "High Windows" is relatively concise and straightforward. It lacks the elaborate imagery and extended metaphors found in some of his other poems. However, it shares a similar preoccupation with themes of aging, mortality, and the search for meaning in a seemingly meaningless world.

The poem also reflects the social and cultural changes of its time. Written in the 1970s, it captures the disillusionment and skepticism that prevailed in the post-war era. It also anticipates the rise of secularism and the decline of traditional religious beliefs. (hide)
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Aubade

I work all day, and get half-drunk at night.
Waking at four to soundless dark, I stare.
In time the curtain-edges will grow light.
Till then I see what's really always there:
Unresting death, a whole day nearer now,
Making all thought impossible but how
And where and when I shall myself die.
Arid interrogation: yet the dread
Of dying, and being dead,
Flashes afresh to hold and horrify.
The mind blanks at the glare. Not in remorse
- The good not done, the love not given, time
Torn off unused - nor wretchedly because
An only life can take so long to climb
Clear of its wrong beginnings, and may never;
But at the total emptiness for ever,
The sure extinction that we travel to
And shall be lost in always. Not to be here,
Not to be anywhere,
And soon; nothing more terrible, nothing more true.

This is a special way of being afraid
No trick dispels. Religion used to try,
That vast, moth-eaten musical brocade
Created to pretend we never die,
And specious stuff that says No rational being
Can fear a thing it will not feel, not seeing
That this is what we fear - no sight, no sound,
No touch or taste or smell, nothing to think with,
Nothing to love or link with,
The anasthetic from which none come round.

And so it stays just on the edge of vision,
A small, unfocused blur, a standing chill
That slows each impulse down to indecision.
Most things may never happen: this one will,
And realisation of it rages out
In furnace-fear when we are caught without
People or drink. Courage is no good:
It means not scaring others. Being brave
Lets no one off the grave.
Death is no different whined at than withstood.

Slowly light strengthens, and the room takes shape.
It stands plain as a wardrobe, what we know,
Have always known, know that we can't escape,
Yet can't accept. One side will have to go.
Meanwhile telephones crouch, getting ready to ring
In locked-up offices, and all the uncaring
Intricate rented world begins to rouse.
The sky is white as clay, with no sun.
Work has to be done.
Postmen like doctors go from house to house.
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Analysis (ai): "Aubade" explores the existential dread of mortality. It contrasts the mundane routine of daily life with the looming inevitability of death. The speaker's sleepless thoughts ponder the certainty of their own demise, leading to a profound sense of emptiness and dread. The poem's language is sparse and matter-of-fact, devoid of sentimentality or emotional extravagance. Compared to Larkin's other works, it is characteristically pessimistic and aligns with his overall exploration of themes such as time, mortality, and the futility of human existence. In the context of its time period, "Aubade" reflects the post-World War II disillusionment and existential anxieties prevalent in British society during the mid-20th century. (hide)
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